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Soviet
filmmaker Roman Karmen documented - or, perhaps, created - the 20th
century as few others did. A true Communist believer, Karmen photographed
the Spanish Civil War, the Soviet resistance to the Nazis, early images
of the Nazi death camps, the Nuremberg trials, the emergences of Mao
Tse-Tung, Ho Chi Minh, Fidel Castro, Salvador Allende, and on and on.
However, Karmen and his camera never seemed to be around for such events
as Stalin's purges, the Soviet invasions of Hungary and Czechoslovakia,
and the atrocities of the Chinese Cultural Revolution. A sort of party-line
gonzo war correspondent, Karmen both captured the reality around him
and profoundly shaped it, even reconstructing famous battles for his
camera. ROMAN KARMEN: A FILMMAKER IN THE SERVICE OF THE REVOLUTION is
a powerful and contentious essay in film criticism about the films Karmen
directed, including the theoretical issues relating to the nature of
documentary and the history of Communism that those films engaged. Dominique Chapuis was one of the most celebrated French cinematographers/ videographers of the last 25 years. He shot his first images during the May 1968 uprisings, and went on to collaborate with such filmmakers as Jean-Luc Godard, Claude Lanzmann, Claude Miller, Joao Cesar Monteiro, Euzhan Palcy, and Brigitte Rouan. He was also the author of INDOCHINE: CAMP 107, a historical novel partially concerning Roman Karmen. Dominique Chapuis died in November, 2001. Patrick
Barberis is a writer, photographer, and filmmaker who has made
many works dealing with the history of Communism and utopian movements. Sunday 18-Apr-2004 7:00 PM Gallery Theatre |
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